Swoon (Caledonia Curry) has created a site-specific installation for the IFPDA Fine Art Print Fair, as featured in Barron's and ARTnews. The project was planned in conversation with Nadine M. Orenstein, Drue Heinz Curator in Charge of The Metropolitan Museum of Art’s Department of Drawings and Prints, as a way to engage visitors at the IFPDA Fine Art Print Fair with the exhibition The Renaissance of Etching opening at The Metropolitan Museum of Art concurrent with the fair.To highlight the medium of etching, booths at the fair that feature this type of print are highlighted in the floorplan so that visitors can explore 500 years of this important technique.
Caledonia Curry AKA Swoon
The IFPDA Fine Art Print Fair
Caledonia Curry, whose work appears under the name Swoon, is a Brooklyn-based artist and is one of the first women to gain large-scale recognition in the male-dominated world of street art. Callie took to the streets of New York while attending the Pratt Institute of Art in 1999, pasting her paper portraits to the sides of buildings with the goal of making art and the public space of the city more accessible.In a moment when contemporary art often holds a conflicted relationship to beauty, Callie’s work carries with it an earnestness, treating the beautiful as sublime even as she explores the darker sides of her subjects. Her work has become known for marrying the whimsical to the grounded, often weaving in slivers of fairy-tales, scraps of myth, and a recurring motif of the sacred feminine. Tendrils of her own family history—and a legacy of her parents’ struggles with addiction and substance abuse—recur throughout her work.While much of Callie’s art plays with the fantastical, there is also a strong element of realism. This can be seen in her myriad social endeavors, including a long-term community revitalization project in Braddock, Pennsylvania and her efforts to build earthquake-resistant homes in Haiti through Konbit Shelter. Her non-profit, the Heliotrope Foundation, was created in order to further support these ventures.Today, Callie’s work can be found on the sides of buildings worldwide and has been given both permanent and transient homes in more classical institutions, including New York’s Museum of Modern Art, the Institute of Contemporary Art in Boston, the Tate Modern, and the São Paulo Museum of Art. Most recently, she has begun using film animation to explore the boundaries of visual storytelling.