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IFPDA Fine Art Print Fair: River Pavilion, Javits Center
                                           429 11th Avenue 
                                           New York, NY 10001

IFPDA Office: 250 W. 26th St, Suite 405
                        New York, NY 10001
phone: +1 212-674-6095
email: office@ifpda.org

Funded by the

Saturday, October 26, 2019

12:00pm

Jordan Schnitzer Family Foundation Lecture, presented by Jim Dine

A discussion with Jim Dine and master printers Ruth Lingen and Julia D’Amario

Jim Dine is an American artist and poet known for his contributions to the formation of both Performance Art and Pop Art. Employing motifs which include Pinocchio, heart shapes, bathrobes, and tools, Dine produces colorful paintings, photographs, prints, and sculptures. “I grew up with tools. I came from a family of people who sold tools, and I’ve always been enchanted by these objects made by anonymous hands,” Dine has said. Born on June 16, 1935 in Cincinnati, OH, he studied poetry at the University of Cincinnati before attending the University of Ohio where he received his BFA in 1957. After moving to New York in 1958, Dine became part of a milieu of artists which included Allan Kaprow and Claes Oldenburg, with whom he began to stage performances at sites in the city, these later became known as “Happenings.” By the early 1960s, he had switched his focus towards painting, drawing on his interest in popular imagery and commercial objects. Though he was shown alongside Roy Lichtenstein and Andy Warhol, Dine never considered himself a member of the Pop Art movement. The artist currently lives and works between New York, NY and Walla Walla, WA. His works are included in the collections of The Museum of Modern Art in New York, the Tate Modern in London, the Bilbao Fine Arts Museum, and the Walker Art Center in Minneapolis, among others.

Ruth Lingen learned both her trade and the pleasure of collaborating with living artists as a shop worker for the legendary New York printmaker Joe Wilfer and midwest bookmaster Walter Hamady. In the years since, she herself has become somewhat of a legend, collaborating with nearly 50 of the world's greatest artists—on prints (some for Pace editions, some on her own) and very special limited edition artist books. She has worked with Jim Dine, Robert Ryman, Mary Heilmann, Kiki Smith, Chuck Close and Claes Oldenberg, Bob Holman, Robert Creeley, Jessica Stockholder and Jeremy Sigler, Donald Traever, Al Held and John Chamberlain, to name a few. Lingen's work can be found in the collection of The Metropolitan Museum of Art, The Getty, and the Brooklyn Museum, as well as in more than 20 libraries, from the New York Public Library to the Harvard University Library.

Julia D'Amario is the Master Printer at The Sitka Jordan Schnitzer Printmaking Residency, established in 2002 to provide artists with little or no printmaking experience the opportunity to explore a new creative medium with guidance, instruction and technical assistance from a professional etching printer.  Julia worked at Pace Editions in New York City for seventeen years, before moving to rural California in 2006.

 

Julia first came to the Sitka Center as a resident artist in 1997. She developed a deep connection to Sitka and the Oregon coast and enthusiastically agreed to become involved in developing the print program. Three artists are invited to the Sitka Center each October and January for an intensive two week long residency, during which they work on copper plates, using a wide variety of etching techniques. At the end of each residency Julia prints the finished plates in editions of ten to be divided equally between the artist and Sitka. The Gordon Gilkey Print Center at the Portland Art Museum and the Jordan Schnitzer Family Foundation Collection also receive prints from each collaboration.

The Jordan Schnitzer Family Foundation was established in 1997 as a non-profit organization to manage the collections of Jordan D. Schnitzer and the Jordan Schnitzer Family Foundation, provide supplemental funding for education and outreach in conjunction with related exhibitions, and publish scholarly texts.  Since the program's inception, the Foundation has organized over 110 exhibitions and has art exhibited at over 150 museums.

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