IFPDA_Fair_Logo_2021.png

Pia Gallo LLC

New York, US

Pia Gallo has been a private art dealer since 1981. She began her career in Chicago and moved to New York City in 1994. Pia Gallo is dedicated to the research, acquisition, sale, and appraisal of fine old master and modern prints and drawings. She is a member of the IFPDA, CINOA, and CSEDT (Chambre Syndicale de l'Estampe, du Dessin, et du Tableau). Pia Gallo has participated in the annual IFPDA Fine Art Print Fair in New York, Master Drawings/New York, and The London Original Print Fair and has published several catalogues. She numbers many major museums and private collectors throughout the world as clients.


Pia Gallo is proud to be presenting Recent Acquisitions at the IFPDA Fair Spring 2022 Online Edition

Image:

Edgar Degas, After the Bath III [detail], 1891-92, Lithograph on textured laid paper

Powered-by-Black-type-white-background.p

I'm a paragraph. Click here to add your own text and edit me. It's easy.

“…A number of drawings depicting a bather with her maid holding a towel or robe reflect Degas’s obsessive pursuit of this particular theme.
In the first state Degas extended the composition of the transferred fifth state (to a new and larger stone) and added the rounded back of the chaise as well as the figure of a servant holding a towel.
He scraped and redrew the bather, enlarging her body. Some 20 impressions have been located….”

Edgar Degas: The Painter as Printmaker, Sue Welsh Reed and Barbara Stern Shapiro, MFA, Boston, MA 1984, cat 65.

Edgar Degas

After the Bath III

1891-92

image 312 x 262 mm; sheet 350 x 323 mm

Lithograph on buff textured paper

Provenance: Robert M Light

Reed and Shapiro 65, first state of two

Edition of c. 20.

Price on Request

Mary Cassatt

Reine and Margot Seated on a Sofa, No 2.

c. 1902

430 x 327 mm on full sheet.

Drypoint

Provenance: R Stanley Johnson

signed and numbered 'no 18' in pencil, on laid paper with watermark A.Porcabeuf.
Breeskin 177, only state.
An extraordinarily fine, rich impression.

Edition of 25

Price on Request

Hendrick Goltzius

Pietà

1596

185 x 128 mm

Engraving, second state of two.

Provenance: Sir Peter Jonas, Constant Moyaux (L. 1829a)

New Hollstein (Goltzius), part I.74.31; Hollstein VIII.14.50
Armorial watermark

$10,000

Jacques Callot, The Temptation of Saint Anthony [detail], 1635, Etching

Mary Cassatt, Reine and Margot Seated on a Sofa, No 2. [detail], c. 1902, Drypoint

Giovanni Battista Piranesi

Veduta dell’AnfiteatroFlavio, detto il Colosseo

1757

441 x 700 mm

Etching, from the Vedute di Roma

Hind 57, II/IV after the price is erased but before the number is added, upper right. Wilton Ely 191. A very fine impression.

$7,200

Kerr Eby

September 13, 1918, St. Mihiel (The Great Black Cloud)

1934

Plate: 10 3/8 × 15 7/8 in. (263 × 403 mm); Sheet: 13 9/16 × 14 15/16 in. (345 × 379 mm)

Etching, aquatint, and sandpaper ground

Provenance: The Old Print Shop. Miss Elizabeth Houghton.

Inscription: “To Miss Elizabeth Houghton with the very best wishes of the artist Kerr Eby I’m fonder of this plate than of any others..KE”

Reference Giardina 182

Price on Request

Jacques Callot, The Temptation of Saint Anthony [detail], 1635, Etching

Pia Gallo LLC

New York, US

+1 212 369-4420