CG Boerner

EXHIBITOR LIST

Booth #T-108

C.G. Boerner, New York, NY | Dusseldorf, DE

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C.G. Boerner is an art dealership that has focused on prints and drawings of the finest quality since it was founded in Leipzig in 1826. With offices today in Düsseldorf and New York, we work with museums and private collectors worldwide. While our reputation is chiefly based on our specialist knowledge of such old masters as Schongauer, Dürer, and Rembrandt as well as of the prints and drawing by the German Romantics, we also deal in prints by other important European artists, among them Mantegna, Burgkmair, Piranesi, and Goya. Additionally we have handled exceptional works by American printmakers, including Whistler, Cassatt, Hopper, and Bellows.

Image:

John Baptist Jackson, The Crucifixion

Image:

Hendrick Goltzius, Oceanus, Dies, Tethys

We hope you will enjoy this small selection from our stock. However, for everyone visiting New York, the Print Fair will take place again I[n]R[eal]L[ife] at the Javits Center from October 27–30 where you will find us at stand T-108, as always next to our friend and colleague Harris Schrank.

In addition, we are also presenting “French Printmaking of the Fin de Siècle and Beyond” in collaboration with Mireille Mosler at Jill Newhouse Gallery on Manhattan’s Upper East Side.

For details, please email armin(at)cgboerner.com or fcschmid(at)cgboerner.de

Exhibiting Artists

John Baptist Jackson, John Constable, Richard Earlom, Hendrick Goltzius, Edouard Manet, Charles Meryon, Edgar Degas, Camille Pissarro, Jaques Callot, Jan Pietersz. Saenredam, Giorgio Ghisi, Giulio Bonasone, Hendrick Goudt, Rembrandt Harmensz. Van Rijn, Anton Würth, Theodor Van Thulden, Giovanni Battista Piranesi, Albert Christoph Dies, Albrecht Dürer, Hans Sebald Beham, Lucas Cranach The Elder, Lucas Cranach The Elder, Lucas Cranach The Younger, Israhel van Meckenem, Wenzel von Olmütz, Martin Schongauer, and others

JOHN BAPTIST JACKSON (1701-1780), The Crucifixion, after Jacopo Tintoretto

Chiaroscuro woodcut from four blocks in buff, light brown, gray, reddish brown; 21 4/16 x 47 12/16 inches

JOHN CONSTABLE (1776-1837), Salisbury Cathedral from the Meadows, 1835–37

mezzotint with etching, stipple, and roulette work on wove paper, by David Lucas; 24 x 28 1/16 inches

RICHARD EARLOM (1742-1822), David and Abisag, after Adriaen van der Werff, 1779

mezzotint; 24 12/16 x 18 1/16 inches

HENDRICK GOLTZIUS (1558-1617), Oceanus, ca. 1589–90

chiaroscuro woodcut printed from three blocks in black, ochre, and brown; 13 5/8 x 10 5/16 inches

HENDRICK GOLTZIUS (1558-1617) Dies – Helios, ca. 1588–90

chiaroscuro woodcut printed from three blocks in black, ochre, and brown; 13 13/16 x 10 7/16 inches

HENDRICK GOLTZIUS (1558-1617), Tethys – Galatea, ca. 1589–90

chiaroscuro woodcut printed from three blocks in black, ochre, and brown; 13 3/4 x 10 1/4 inches

EDOUARD MANET (1832-1883), La petite fille, 1861-62

etching and drypoint in brownish ink on fine laid paper; 8 1/8 × 4 5/8 inches

CHARLES MERYON (1821-1868), Le Petit Pont, 1850

etching and burin on brown Japanese paper; 10 4/16 x 7 7/16 inches

EDGAR DEGAS (1834-1917), A Woman in a Ruffled Cap, 1859-60

etching on medium weight wove paper; image 101 × 75 mm, plate 119 × 87 mm, sheet 146 × 111 mm

CAMILLE PISSARRO (1830-1903), Paysanne au Puits (Peasant Woman at the Well), 1891

etching and aquatint on an ivory laid paper; 9 1/4 × 7 5/8, the sheet 12 1/4 × 9 7/8 inches

JAQUES CALLOT (1592-1635), Crown of Thorns, from the Large Passion

etching with some engraving, 107 x 212 mm (sheet: 4 3/16 x 8 3/8 inches)

JAN PIETERSZ. SAENREDAM (1565-1607), Vanitas – Death and a Young Man, after HENDRICK GOLTZIUS, 1592

engraving; 257 x 178 mm (10 1/8 x 7 inches)

GIORGIO GHISI (1520-1582), Allegorical Figure Holding a Sphere, after Giulio Romano, ca. 1565

engraving; 244 x 154 mm (sheet: 266 x 172 mm)

GIULIO BONASONE (1531-1574), The Wreath – Flora with her Nymphs, after GIULIO ROMANO

engraving; 316 x 435 mm (12 1/2 x 17 1/8 inches)

HENDRICK GOUDT (1583-1648), The Mocking of Ceres, after ADAM ELSHEIMER, 1610

engraving; 326 x 252 mm (12 13/16 x 9 15/16 inches)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669), Man in a Broad-Brimmed Hat, 1630

etching; sheet 86 x 70 mm (3 3/8 x 2 3/4 inches)

REMBRANDT HARMENSZ. VAN RIJN (1606-1669) The Star of the Kings: A Night Piece, ca. 1651

etching, with touches of drypoint; sheet 99 x 148 mm (3 7/8 x 5 13/16 inches)

ANTON WÜRTH (born 1957), Sterntaler – The Star Talers, 2021

engraving with touches of drypoint and gold dust; 190 x 140 mm (sheet size), edition of 14

THEODOR VAN THULDEN (1606-1669), The Opening of the Doors of the Temple of Janus (after Rubens), after 1635

engraving; 287 x 321 mm (sheet: 560 x 420 mm)

GIOVANNI BATTISTA PIRANESI (1720-1778), Appartenenze d’antiche terme, 1750/51

etching on laid paper, 160 x 214 mm (plate), 235 x 294 mm (sheet)

ALBERT CHRISTOPH DIES (1755-1822), Cascatella Superiore a Tivoli, 1796

etching; 281 ×374 mm

ALBRECHT DÜRER (1471-1528), Coat of Arms with a Lion and a Cock, ca. 1502-3

engraving, 185 x 118 mm (7 5/16 x 4 5/8 inches)

HANS SEBALD BEHAM (1500-1550), Ornamental Frieze with Two Battling Tritons, ca. 1520–25

woodcut; 460 x 225 mm (18 x 8 13/16 inches)

HANS SEBALD BEHAM (1550-1550), Peasants Brawl

engraving; 48 x 73 mm

LUCAS CRANACH THE ELDER (ca. 1472-1553), The Resurrection, from the set of the Passion, 1509

woodcut; 250 x 170 mm (9 ¾ x 6 ¾ inches)

+19176010909

armin@cgboerner.com

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