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Keith Sheridan LLC

Myrtle Beach, US

Keith Sheridan is a private dealer specializing in mid-century American, European, and Japanese fine prints and related works on paper. Formerly an award-winning graphic designer and a print collector, he is focused on providing iconic and innovative modernist works of exceptional merit, historic importance, and enduring value. His extensive archive of available works embraces the genres of Modernist Representation and Abstraction, Impressionism, Expressionism, Surrealism, and Social Realism. Represented subjects include a special emphasis on non-objective, urban/industrial, and New York City images, with a noteworthy selection of American works from the WPA era.

Image:

Manhattan I, Stone 2 – Lyonel Feininger

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My Spring Show selection offers a diverse range of printmaking masterworks, dating from the early to the late 20th century.

Noteworthy is the pair of John Marin etchings ‘Brooklyn Bridge No. 6 (Swaying)’ and ‘Downtown the El,’ both masterfully printed by the artist from the very scarce, early editions before the steel-facing of the plates. Other iconic New York City images include works by Howard Cook, Otto Kuhler, Lyonel Feininger, Clare Leighton, Martin Lewis, and Louis Lozowick.

Works by African American printmakers include the early and seldom seen WPA lithograph ‘Artist Life #2’ by Hughie Lee-Smith; Margo Humphrey’s vibrantly colored, monumentally scaled woodcut ‘Adam and Eve;’ and Elizabeth Catlett’s tribute to the enduring fortitude of the African American woman, ‘Survivor.’

Other WPA works include Charles Turzak’s compelling Chicago cityscape ‘La Salle and Washington Street;’ Lou Barlow’s innovative double portrait ‘Tenant Farmers;’ and Mary B. Schuster’s intriguing surrealist lithograph ‘God Made the Integers, All the Rest is the Work of Man.’

New acquisitions include two masterworks by renowned wood engraver Paul Landacre, ‘Monterey Hills’, and with only three known signed impressions, the extremely rare ‘Spring, 1944.’

The small group of Japanese prints is enlivened by Hiroshi Yoshida’s ‘Chion-in Temple Gate’ awash in the warm glow of sunset contrasting with ‘Taj Mahal, Night’ his evocative nocture of the storied Indian monument bathed in moonlight.

Keith Sheridan, Director

Lyonel Feininger

Manhattan I, Stone 2

1951

Image 11 1/4 x 8 5/8 in., sheet 16 x 11 1/2 in.

Lithograph

Signed and titled in pencil. Printed by master lithographer George C. Miller.

Edition 25

5,500 USD

Louis Lozowick

Backyards of Broadway (Waterfront I)

1929

Image 14 3/8 x 9 1/4 in., sheet 15 3/4 x 11 1/2 in.

Lithograph

Signed in pencil. A view from Broadway looking toward the Hudson River piers, New York City.

Edition 10

5,800 USD

Hughie Lee-Smith

Artist Life #2

1939

Image size 9 x 9 7/8 inches

Lithograph

Signed and titled in pencil. Exhibited: Prints from the Great Depression: The Richard and Linda Scott Collection, The Dayton Art Institute, 2010.

Edition unknown but small.

8,000 USD

Chion-in Temple Gate – Hiroshi Yoshida

Adam and Eve – Margo Humphrey

Margo Humphrey

Adam and Eve

1989

Image 27 1/4 x 39 1/8 in., sheet 30 1/2 x 42 1/2 in.

Woodcut

Signed, dated, and annotated A/P in pencil.

A/P

6,500 USD

Christopher R. W. Nevinson

Three AM: A Corner by Madison Square at Night

1920

Image 9 15/16 x 6 7⁄8 in., sheet 15 1⁄8 x 10 1⁄8 in.

Drypoint

Provenance: Metropolitan Museum of Art, with the deaccession stamp verso (Lugt 1943).

Literature: C.R.W. Nevinson: The Twentieth Century, Ingleby, Black, Cohen and Cooke, Imperial War Museum, London, exhibition catalogue, 1999, p. 140.

Edition 75

16,000 USD

Chion-in Temple Gate – Hiroshi Yoshida

Keith Sheridan LLC

Myrtle Beach, US

+1 843-427-4934