The Creative Spirit; Robert Blackburn & the Printmaking Workshop with Phil Sanders, author of Prints & Their Makers (2020).

Kinngait Studios: Six Decades of Printmaking and Prosperity in the Canadian Arctic. A conversation and virtual studio visit with William Huffman, Audrey Hurd, and Juumi Tapaungai. Moderated by Elisa German and Galina Mardilovich. Presented by the Association of Print Scholars.

Founded in 1959, Kinngait Studios is the longest running fine art printmaking facility in Canada. Located in Kinngait (formerly Cape Dorset) in the Territory of Nunavut, a Canadian Arctic community of 1,400 residents, the studios have published an impressive annual collection of prints by more than five generations of Inuit artists. Lithographs, stonecuts, etchings, engraving, and drawings by artists such as Shuvinai Ashoona, Kenojuak Ashevak, and Pitseolak Ashoona, among many others, are internationally renowned and sought after by museums and collectors. A uniquely structured facility, Kinngait Studios is operated by the West Baffin Eskimo Cooperative, which is central to supporting the local community and providing artists with skills training in printmaking, painting, and carving.

Join us for a live visit at Tamarind Institute at The University of New Mexico based in Albuquerque, NM.

Hosted by the IFPDA Foundation

Participants:
Diana Gaston, Director, Tamarind Institute
Valpuri Remling, Tamarind Master Printer
Workshop Manager
Brandon Gunn, Tamarind Master Printer
Professor of Practice/Education Director
Kylee Aragon Wallis, Gallery Director, Tamarind Institute

With author, critic, and curator, Susan Tallman. This program is offered in conjunction with the special exhibition curated by Susan Tallman, “Tronies: Four Centuries of Faces, Almost”, on view at the IFPDA Print Fair. 

With Jonathan Bober (National Gallery of Art), Stephen Coppel (British Museum), Nadine Orenstein (The Metropolitan Museum of Art), and Naoko Takahatake (The Getty Research Institute). Moderated by David Tunick, President, IFPDA. 

A conversation Between Vija Celmins and Samantha Rippner, author of “The Prints of Vija Celmins”. Introductory remarks by Leslie Jones (LACMA) and Jordan Schnitzer.

This program is offered in conjunction with Derrick Adams’s major site-specific installation on view at the IFPDA Print Fair.

Emma Amos, Elizabeth Catlett, and Betye and Alison Saar — a Brief History of Black Women in Print with Lisa Farrington, Author of “Creating Their Own Image: African American Women Artists” and Tanekeya Word, founder of Black Women of Print.

Starting a Career in Prints and Printmaking (Everything You Always Wanted to Know But Were Afraid to Ask) with Niels Borch Jensen (BORCH Editions) and Jade Forman (Spelman College). Presented by ​The Atlanta University Center Art History + Curatorial Studies Collective.

Founded in 1992 by artists James Lavadour and Phillip Cash Cash, Crow’s Shadow Institute of the Arts (CSIA) has become one of the leading art centers for Native American printmaking. Its world-class print studio offers a prestigious residency program that has hosted artists such as Raven Chacon, Jeffrey Gibson, Wendy Red Star, James Luna, Kay WalkingStick, and Marie Watt, among others, and whose editions are held in museum collections such as the Portland Art Museum, Wellin Museum of Art, Whitney Museum of American Art, Library of Congress, and Museum of Fine Arts, Boston. Over the last 30 years, in addition to its work in printmaking, CSIA has evolved its mission to boast an impressive array of educational, social, and economic development programs, including community-driven workshops for Native and Indigenous Traditional Arts such as basket making, beading, and the crafting of horse regalia. In many ways, Crow’s Shadow provides a platform for Native artists to connect with the mainstream art world and for non-Native participants an avenue for cross-cultural understanding.

Join us for a conversation in which we learn about the legacy, impact, and future of the work of Crow’s Shadow Institute of the Arts

Introduction by Jennifer Farrell (The Metropolitan Museum of Art). Moderated by Kimberli Gant (Brooklyn Museum of Art). Panelists: LaToya Hobbs, Delita Martin, Stephanie Santana, and Jennifer Mack Watkins. This program is offered in conjunction with The Metropolitan Museum of Art’s current installation of Continuum (2019) published by Black Women of Print and LaToya Hobbs's site-specific installation on view at the IFPDA Print Fair. 

With Camille Henrot, Emilia Kabakov, Dr. Burghard Richter, and Kiki Smith. Moderated by Robert Storr (Yale School of Art).

With artists Enrique Chagoya and Kara Maria and master printer Bud Shark (Shark’s Ink). 

With Susan Tallman, author of the forthcoming catalogue raisonné of the prints of Kerry James Marshall. This program is offered in conjunction with the special exhibition curated by Susan Tallman, “Tronies: Four Centuries of Faces, Almost”, which includes “tronies” by Kerry James Marshall on view at the IFPDA Print Fair. 

Aquatint: From Its Origins to Goya with Rena Hoisington (National Gallery of Art), author of one of the 2022 IFPDA Foundation Book Award recipients, Aquatint: From Its Origins to Goya. Author and curator (National Gallery of Art) Rena Hoisington will provide an overview of the 2022 IFPDA Foundation Book Award recipient, Aquatint: From Its Origins to Goya, and revisit the related 2021-2022 exhibition at the National Gallery of Art.

Print Study Day is organized annually by the Department of Drawings and Prints at The Metropolitan Museum of Art, New York, in association with the IFPDA. This year’s speakers present new research into a wide range of topics: the work of 15th-century Netherlandish engravers; the production of prints that imitate drawings; and Vincent van Gogh’s lithographic process. Following the three talks, Nadine Orenstein, Drue Heinz Curator in Charge, Department of Drawings and Prints, The Metropolitan Museum of Art, will moderate a discussion and Q & A.

A panel moderated by 1stDibs Editor-in-Chief Anthony Barzilay Freund and featuring designers Jamie Drake, Joy Moyler, and honored member of the AD100, Elle Décor A-List and 1stDibs 50, John Gachot.

A conversation with Hank Willis Thomas and Jordan Schnitzer.

With Elizabeth Rudy (Harvard Art Museums) and Kristel Smentek (MIT). Presented by the Print Council of America.

With Judd Tully, journalist, art critic, and regular contributor to ArtNews, The Art Newspaper, The Washington Post, and others.

With Niels Borch Jensen and Susan Tallman, co-authors of “No Plan at All: How the Danish Printshop of Niels Borch Jensen Redefined Artists’ Prints for the Contemporary World” (2021). Moderated by artist Matt Saunders.