PRINT MONTH 2022

October 4 - 29

The Third Annual IFPDA Print Month offers two weeks of online-only programs from October 4th to the 14th as listed below plus in-person-only programs at the IFPDA Print Fair from October 27th to the 30th. The IFPDA is proud to share this platform with our Members, our community, and our cultural partners including The Metropolitan Museum of Art, Black Women of Print, Print Council of America, and the Association of Print Scholars.

To view past programs from Print Month 2021, click here: Print Month 2021

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TUESDAY, OCTOBER 4, 2022

12:00PM ET

The Creative Spirit; Robert Blackburn & the Printmaking Workshop with Phil Sanders.

The Creative Spirit; Robert Blackburn & the Printmaking Workshop with Phil Sanders, author of Prints & Their Makers (2020).

FRIDAY, OCTOBER 7, 2022

12:00PM ET

Kinngait Studios: Six Decades of Printmaking and Prosperity in the Canadian Arctic.

Kinngait Studios: Six Decades of Printmaking and Prosperity in the Canadian Arctic. A conversation and virtual studio visit with William Huffman, Audrey Hurd, and Juumi Tapaungai. Moderated by Elisa German and Galina Mardilovich. Presented by the Association of Print Scholars.

Founded in 1959, Kinngait Studios is the longest running fine art printmaking facility in Canada. Located in Kinngait (formerly Cape Dorset) in the Territory of Nunavut, a Canadian Arctic community of 1,400 residents, the studios have published an impressive annual collection of prints by more than five generations of Inuit artists. Lithographs, stonecuts, etchings, engraving, and drawings by artists such as Shuvinai Ashoona, Kenojuak Ashevak, and Pitseolak Ashoona, among many others, are internationally renowned and sought after by museums and collectors. A uniquely structured facility, Kinngait Studios is operated by the West Baffin Eskimo Cooperative, which is central to supporting the local community and providing artists with skills training in printmaking, painting, and carving.

THURSDAY, OCTOBER 13, 2022

12:00PM ET

Tamarind Press (Albuquerque, NM); A Virtual Studio Visit and Conversation with Diana Gaston (Director), master printers Valpuri Remling and Brandon Gunn, and gallery director Kylee Aragon Wallis.

Join us for a live visit at Tamarind Institute at The University of New Mexico based in Albuquerque, NM.

Hosted by the IFPDA Foundation

Participants:
Diana Gaston, Director, Tamarind Institute

Valpuri Remling, Tamarind Master Printer
Workshop Manager

Brandon Gunn, Tamarind Master Printer
Professor of Practice/Education Director

Kylee Aragon Wallis, Gallery Director, Tamarind Institute

WEDNESDAY, OCTOBER 5, 2022

12:00PM ET

Emma Amos, Elizabeth Catlett, and Betye and Alison Saar — a Brief History of Black Women in Print

Emma Amos, Elizabeth Catlett, and Betye and Alison Saar — a Brief History of Black Women in Print with Lisa Farrington, Author of “Creating Their Own Image: African American Women Artists” and Tanekeya Word, founder of Black Women of Print.

TUESDAY, OCTOBER 11, 2022

12:00PM ET

Starting a Career in Prints and Printmaking (Everything You Always Wanted to Know But Were Afraid to Ask)

Starting a Career in Prints and Printmaking (Everything You Always Wanted to Know But Were Afraid to Ask) with Niels Borch Jensen (BORCH Editions) and Jade Forman (Spelman College). Presented by ​The Atlanta University Center Art History + Curatorial Studies Collective.

FRIDAY, OCTOBER 14, 2022

12:00PM ET

Celebrating Three Decades at Crow’s Shadow and Looking to the Future of Native American Printmaking with Executive Director Karl Davis and Master Printer Judith Bauman, curator Rebecca J. Dobkins (Hallie Ford Museum of Art), and Professor Marwin Begaye (University of Oklahoma’s School of Visual Arts). Moderated and presented by the Association of Print Scholars.

Founded in 1992 by artists James Lavadour and Phillip Cash Cash, Crow’s Shadow Institute of the Arts (CSIA) has become one of the leading art centers for Native American printmaking. Its world-class print studio offers a prestigious residency program that has hosted artists such as Raven Chacon, Jeffrey Gibson, Wendy Red Star, James Luna, Kay WalkingStick, and Marie Watt, among others, and whose editions are held in museum collections such as the Portland Art Museum, Wellin Museum of Art, Whitney Museum of American Art, Library of Congress, and Museum of Fine Arts, Boston. Over the last 30 years, in addition to its work in printmaking, CSIA has evolved its mission to boast an impressive array of educational, social, and economic development programs, including community-driven workshops for Native and Indigenous Traditional Arts such as basket making, beading, and the crafting of horse regalia. In many ways, Crow’s Shadow provides a platform for Native artists to connect with the mainstream art world and for non-Native participants an avenue for cross-cultural understanding.

Join us for a conversation in which we learn about the legacy, impact, and future of the work of Crow’s Shadow Institute of the Arts

THURSDAY, OCTOBER 6, 2022

12:00PM ET

Aquatint: From Its Origins to Goya with Rena Hoisington.

Aquatint: From Its Origins to Goya with Rena Hoisington (National Gallery of Art), author of one of the 2022 IFPDA Foundation Book Award recipients, Aquatint: From Its Origins to Goya. Author and curator (National Gallery of Art) Rena Hoisington will provide an overview of the 2022 IFPDA Foundation Book Award recipient, Aquatint: From Its Origins to Goya, and revisit the related 2021-2022 exhibition at the National Gallery of Art.

WEDNESDAY, OCTOBER 12, 2022

12:00PM ET

Print Study Day Presented by The Metropolitan Museum of Art: New Insights in Print Studies from the Late Gothic to Van Gogh

Print Study Day is organized annually by the Department of Drawings and Prints at The Metropolitan Museum of Art, New York, in association with the IFPDA. This year’s speakers present new research into a wide range of topics: the work of 15th-century Netherlandish engravers; the production of prints that imitate drawings; and Vincent van Gogh’s lithographic process. Following the three talks, Nadine Orenstein, Drue Heinz Curator in Charge, Department of Drawings and Prints, The Metropolitan Museum of Art, will moderate a discussion and Q & A.