The intersections between artificial intelligence and artmaking were forged long before today’s AI image making tools, and many foundational works have important ties with drawing and printmaking processes.

Join Christiane Paul, and Kim Conaty, both at the Whitney, for a dialogue about creativity, authorship, and collaboration.

Introduction by Jordan Schnitzer.

Offered in conjunction with the special project Collector Focus: Selections from Jordan Schnitzer and his Family Foundation.

In 2024, three major US exhibitions will reexamine and reframe the work of Ernst Ludwig Kirchner, Käthe Kollwitz, Paula Modersohn-Becker, and Edvard Munch.

Join the curators for a round-table discussion about these projects and how four path breaking artists used prints and drawings to ask new questions and address different audiences.

Marie Watt tells stories not only in her celebrated textile, sculpture, and installation work, but also in print. This conversation with her collaborating printers will illuminate Watt’s enduring engagement with print as a key element of her material, conceptual, and community practice.

Focusing on his pivotal “Green Period.” This conversation examines recent lithographs and monotypes that explore ideas of spatial, narrative and philosophical scenarios.

During the 1890s, a new type of poster emerged in the United States, one that more closely resembled a work of art than an advertisement. Thanks to recent advancements in printing techniques, artists could create colorful, inventive compositions that seamlessly integrated text and images.

Two large-scale works by William Kentridge, The Old Gods Have Retired and The Flood, on view as a special project at the 2024 IFPDA Fair, serve as a jumping off point for conversation on the decades-long dedication to printmaking by Kentridge, who will be featured in a new video interview with Phil Sanders.