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PRINT MONTH 2024

Tuesday, October 1st, 2024

12:00PM ET

The View from the Water’s Edge: Early Modern Dutch Landscape at the Baltimore Museum of Art

Water transformed the landscape of the newly formed Dutch Republic in the 17th century, shaping the region’s environment alongside its economy, politics, and culture. Central to these developments was the meeting of land and water—the water’s edge—which provided artists with an immeasurable source of inspiration. This talk examines the prints, drawings, and paintings featured in a forthcoming exhibition at the Baltimore Museum of Art that explores the role of water and landscape in defining the early modern Dutch Republic.

Thursday, October 10th, 2024

12:00PM ET

Print Residencies: A conversation about artist's residencies and printmaking, with a focus on the West Coast

Presented by Association of Print Scholars.

Moderated by Rachel Skokowski, this panel will spotlight printmaking residencies on the West Coast. The panel will feature Leyla Jamil Rzayeva at Kala Art Institute in Berkeley, Macy Chadwick at In Cahoots Residency in Sonoma County, and Julia D'Amario at the Jordan Schnitzer Printmaking Residency in Oregon in conversation about how these artist residencies fuel the creative life cycle for printmakers.

Tuesday, October 15th, 2024

12:00PM ET

Artists and Printer Collaborations with Marina Ancona, Felix Harlan, and Andrew Mockler in conversation with Britany Salsbury, Cleveland Museum of Art

Presented by Association of Print Scholars.

How do collaborations between artists and presses impact their editions? Moderated by Britany Salsbury, curator of Nicole Eisenman: A Decade of Printing (Cleveland Museum of Art, 2022), and featuring Felix Harlan, Marina Ancona, and Andrew Mockler, this panel takes the exhibition as a starting point to discuss intricacies in artist-printer partnerships.



Thursday, October 17th, 2024

12:00PM ET

Print Study Day Presented by The Metropolitan Museum of Art: “Graphic Cultures of Latin America”

Presented by The Metropolitan Museum of Art.

The importance of prints in the visual culture of the Americas from the time of colonization to the present day is a subject of increasing scholarly interest. The three talks in this webinar will explore how prints from the sixteenth through to the twentieth centuries were so important for creating networks of meaning within Latin American culture and society.



Thursday, October 24th, 2024

12:00PM ET

When Degas makes prints, “plate and man are flattened together by his printing press, its mechanism having swallowed him completely"

Presented by Print Council of America.

This lecture will shed new light on Degas’s heterogeneous printmaking practice
and his fascination with its materials, techniques, and tools. These pictures offer important insight into the artist’s persistent efforts to expand the conventional limits of pictorial illusionism, his frequent intertwining of motif and making, and the central but little-understood role of technical and material experimentation in his larger corpus.


Thursday, October 3rd, 2024

12:00PM ET

Karamu Artists Inc.: Printmaking, Race, and Community

Presented by Print Council of America.

This webinar offers a preview of the Cleveland Museum of Art’s upcoming exhibition and publication Karamu Artists Inc.: Printmaking, Race, and Community (March 23-August 17, 2025). The project is the first to explore the graphic arts workshop housed during the 1930s and 40s at Karamu House—one of the nation’s best-known Black American cultural centers, where Langston Hughes got his start and some of the most recognized Black printmakers of the WPA era established their reputations.

Saturday, October 12th, 2024

11:00AM - 5:00PM ET

IN PERSON: Linocut Demonstrations with Dave Lefner

Presented by Jim Kempner Fine Art.

Join artist Dave Lefner for a demonstration of the hand-carved reduction linocut process pioneered by Pablo Picasso in which a multi-colored image is printed using only one linoleum block. This event will take place at Jim Kempner Fine Art on the second floor in their viewing room.






Tuesday, October 15th, 2024

5:00PM - 10:00PM ET

IN PERSON: In Performance: Morton Feldman’s ‘For Philip Guston’

Presented by Hauser & Wirth.

On the occasion of the exhibition ‘Philip Guston: Room, Sea & Sky,' join Hauser & Wirth for a rare performance of Morton Feldman’s ‘For Philip Guston' performed by the renowned artist collective AMOC*.

Composed in 1984, ‘For Philip Guston,’ a nearly five-hour trio, is Morton Feldman’s poignant homage to Guston, touching on friendship, intransigence, affection, memory, loss and love.

The performance will take place within the exhibition ‘Philip Guston: Room, Sea & Sky.’

Monday, October 21st, 2024

6:00PM - 8:00PM ET

IN PERSON: An Evening to Benefit the IFPDA Foundation with Tschabalala Self

The IFPDA Foundation and Christie’s invite you to an exclusive evening of cocktails, conversation, and the opportunity to engage with special guests in support of the IFPDA Foundation. Join us as we celebrate the arts and the vibrant community that supports printmaking.









Friday, November 1st, 2024

6:00PM ET

IN PERSON: Special IFPDA Evening View of "(Re)Print"

Presented by Print Center New York.

Join IFPDA Members and friends for a special evening view of the exhibition (Re)Print which centers on projects by five contemporary artists who reinterpret and engage with source materials including Mark Bradford published by IFPDA Member, Lower East Side Printshop; Cecily Brown published by IFPDA Member, Two Palms; Glenn Brown, published by IFPDA Member, Paupers Press; Enrique Chagoya published by IFPDA Member, Shark's Ink; and Lynette Yiadom-Boakye.


Tuesday, October 8th, 2024

12:00PM ET

Rebecca Gilbert and Hans Holbein: A Dance of Death in Two Parts

Presented by The Print Center.

An exploration of the monumental project wood engraver Rebecca Gilbert has in progress – a re-creation of the 41 prints of Hans Holbein the Younger’s (and Hans Lützelberger's) Dance of Death from 1538 matched by 41 original compositions by Gilbert representing the people, technology and culture of our time. An extremely skilled and accomplished printmaker, Gilbert’s practice exemplifies a dedication to traditional printmaking processes and how they can be employed to offer potent social commentary in a digital world.

Sunday, October 13th, 2024

12:00PM - 4:00PM ET

IN PERSON: Linocut Demonstrations with Dave Lefner

Presented by Jim Kempner Fine Art.

Join artist Dave Lefner for a demonstration of the hand-carved reduction linocut process pioneered by Pablo Picasso in which a multi-colored image is printed using only one linoleum block. This event will take place at Jim Kempner Fine Art on the second floor in their viewing room.






Wednesday, October 16th, 2024

6:00PM - 8:00PM ET

IN PERSON: Special IFPDA Evening View of Harlan & Weaver Gallery Pop-Up Exhibition, "From Copper Plates to Masterpieces"

Presented by Harlan & Weaver.

Harlan & Weaver, the legendary intaglio studio founded by Master Printer Felix Harlan and his late wife, Carol Weaver, is presenting its first-ever gallery pop-up exhibition, on view through October 30, 2024. The exhibition features etchings by Louise Bourgeois, Francesco Clemente, Kiki Smith, Nicole Eisenman, Steve DiBenedetto, Bonnie Lucas, Chris Martin, James Siena, Katia Santibañez, Stanley Whitney, Didier William, Pat Steir, José Antonio Suárez Londoño, and Anthony Cudahy.

Tuesday, October 22nd, 2024

12:00PM ET

Glenn Brown with Catherine Daunt, Curator of Modern and Contemporary Prints at the British Museum

Presented by Print Center New York.

In conjunction with the exhibition (Re)Print, currently on view at Print Center New York, join us for a virtual artist talk featuring Glenn Brown on artistic obsession, or the repeated referential nature of his printmaking practice, in conversation with the work of important figures in art history. Brown will be joined by Catherine Daunt, Curator of Modern & Contemporary Prints at The British Museum. The pair will discuss Glenn Brown’s accumulative engagement with the work of Lucian Freud as fundamental to understanding the citational nature of his etchings on view in (Re)Print.

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